Home/Client work/Miles Stanislaw

Case study · Personal brand and short-form video

From zero to 1.2K+ followers
and 1 million+ views in 30 days.

Miles Stanislaw is 83 years old, a national waterski champion, a career litigator and the author of “The Worm Farmer.” He came to Sun Coast with no audience online. Here is what the account has done, where the numbers come from, and how the videos get made. We offer this as a service: see short-form video.

1,051,230views in 30 days, 98.8% from people who did not follow him
660,163unique viewers in the same window
1.3Kfollowers, from zero in late August
790,528views on his best reel to date, across the original and one repost

The three reels that carry it

None of that reach came from an existing audience. Miles had no followers and no attention online before this account started posting, so every view above was earned from a standing start. Instagram’s own daily chart is flat until the last week of August. The reach built through the first week of September, eased off mid month, and spiked again at the very end of the window, the biggest day the account has had.

That spike was not a new video. One reel had done 347,252 views, so we posted it again with different audio. The repost has since done 443,276 on its own, more than the original earned, from an account that still has fewer than 1,300 followers. Deciding which reel is worth running a second time, and when, is as much of the work as shooting the next one. Across the window that is 29 posts in about a month, each one measured, and the winners put back into rotation.

We are not projecting where it goes next, and nobody honestly can. What is above is what the platform reported for one stated window, and what a client can check for themselves in about a minute.

Figures read from Instagram Insights for @themilesstanislaw: views, viewers and the non-follower share cover the 30 days from 25 August to 23 September 2026; the follower count is from the profile as at 24 September 2026. The view count on each reel is that post’s lifetime total as at 24 September 2026, read from that post’s own Insights panel, so it is not confined to the 30-day window, and the first reel was published twice, which is why its two figures are given separately. The 30-day view total also counts reels published to non-followers as trials, which Instagram does not show on the profile, so the posts visible on the grid will not add up to it. The account began posting in late August 2026, so the earliest days of the window sit before the first post. These are the client’s own platform numbers, published with their source and measurement window, not an agency-calculated result.

How we make them

A repeatable pipeline, not a lucky clip.

Every reel on the account goes through the same six steps.

01

One shoot, many cuts

A weekly sitting with Miles produces several reels at once. That is what makes a near-daily posting cadence possible for a man of 83 who has a life to get on with.

02

The claim on screen in the first second

Every reel opens with the line that makes a thumb stop. 83 years old. 38 years sober. It is text, not narration, because the first second is usually watched with the sound off.

03

Cut for retention, not for length

Dead air, restarts and filler words come out. What is left is the story at the pace a phone screen rewards, which is faster than anyone expects.

04

Captions burned in

Captions are part of the picture rather than a platform overlay, so the reel reads the same muted, reposted, or watched on a screen that hides the interface.

05

The audio rebuilt

Wind, boat engines and a microphone that moves. The voice is cleaned, levelled and mixed so that every word lands over the water instead of under it.

06

Post, measure, repeat the winner

What performs gets made again. The best reel here was posted a second time with different audio and has done 443,276 views of its own, more than the original did.

Want your own
audience built?

Book a free 15-minute call. We’ll tell you honestly whether short-form video fits what you sell.